034 Jeff Koons balloon en forme de chien-magenta 1994-2000 acier inoxydable au poli miroir et vernis trasparcet
Pre- Purple Balloon Dog 1994-2000 polished mirror stainless steel and transparent varnish
041 Jeff Koons coeur suspendu -roug-or 1994-2000 acier inoxydable au poli miroir et vernis trasparcet et laiton
Golden Red Heart 1994-2000 polished mirror stainless steel, transparent varnish, and brass
058 Jeff Koons popeye 2009-2011 acier inoxydable au poli miroir et vernis trasparcet
Popeye Slapstick 2009-2011 polished mirror stainless steel and transparent varnish
071 Jeff Koons hulk-orgue 2004-2014 bronze polychrome et technique mixe
hulk-orgue 2004-2014 bronze polychrome et technique mixe
073 Jeff Koons ballon venus -orange 2008-2012 acier inoxydable au poli miroir et vernis trasparcet
Orange Venus 2008-2012 polished mirror stainless steel and transparent varnish
081 Jeff Koons ballerinas 2010-2014 acier inoxydable au poli miroir et vernis trasparcet
ballerinas 2010-2014 acier inoxydable au poli miroir et vernis trasparcet
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gazing ball -Ariadne 2013 platre et verre

Text / Chen Chi-Hsiang

Chewing gum again:

The Jeff Koons retrospective at the Centre Pompidou in Paris ends next Monday. It is a very popular exhibition that has broken the Centre Pompidou's attendance records for recent years. One can imagine an exhibition that children of all ages can understand at a glance, requiring no academic knowledge or profound theoretical arguments. Yet it makes one wonder how something so commonplace can become art.

I feel the sensation of chewing gum: sweet, pleasant, beautiful, sexy, with a mild mass appeal. But chew it too long, and you lose the flavor, leaving only a hard, sticky residue that you spit out automatically—or find it difficult not to. After the fragrance fades, what feelings or impressions remain? Is art sufficient as entertainment for everyone?

"The Jeff Koons retrospective at the Centre Pompidou in Paris, wrapped in sugar-coating, is the most popular exhibition at the Centre Pompidou in recent years. In just a few months, it attracted 570,000 or 800,000 visitors, astonishingly breaking all major exhibitions at the Centre Pompidou. One can imagine that this popular exhibition also represents the artist whose market performance is most astonishing."