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Phyllida Barlow - 'Dock' Sculpture Exhibition Poster
027 Phyllida Barlow born 1944 dock installation 2014
Suspended objects evoke the imagery of a dock
029-2 Phyllida Barlow born 1944 dock installation 2014
A scene from the 'Dock' sculpture exhibition
030-2 Phyllida Barlow born 1944 dock installation 2014
Multi-media sculptural accumulation in form and color
032 Phyllida Barlow born 1944 dock installation 2014
Columns extending infinitely, full of imaginative space
034 Phyllida Barlow born 1944 dock installation 2014
Rigorous structural forms
035-2 Phyllida Barlow born 1944 dock installation 2014
Diverse presentation of two-dimensional painting and three-dimensional media
038 Phyllida Barlow born 1944 dock installation 2014
Suspended elements suggesting the imagery of a natural dock or mooring

Text and images by Chen Chi-Hsiang. Tate Britain, London – Exhibition until October 19. This is an exhibition that establishes space, constructed according to the space; in other words, in situ, engaging in dialogue with architectural space. In this post-industrial and post-postmodern era, where "reality is art, art is reality," within a highly consumerist age and an objectified society, with utopias ended, many artists seem to be searching for new grand intentions and imaginations of a great Babel, constructing an ideal world in their minds. Artist Phyllida Barlow is no exception. Through organizational construction forms—piling up multi-media objects, hanging them to create imagery of "docks or berths"—she attempts to construct a new aesthetic perspective through multi-media material forms, colors, and structures. She presents the possibilities of a new world between reality and imagination, physics and psychology, time and space, consciousness and intellect, and aesthetics and sociology.