We Met in Paris This Spring
Taiwanese friends passing through Paris—Mr. Huang of Iri Art Gallery and his partners, Pei-chu Chang of Hsin Yuan, Wang Chun-chi, Cheng Jen-pei, Lin Cheng-wei







Text and photos by Chen Chi-Hsiang. Friends often pass through Paris, and a thread of artistic connection brings us together in this vibrant spring. It is "art" that gathers us here at this time and place. On Monday afternoon, Mr. Huang of Iri Art Gallery and his team met me for coffee and French pastries in the Bercy neighborhood, where Parisians live. Meeting abroad fosters warmth; our relaxed conversation naturally turned to art. We discussed Iri’s operations, artists, international art fair marketing, and views on art, as well as the current Parisian art scene and our shared interest in plants. It was a delightful afternoon.
The next day, Tuesday, we planned to visit MAC Val, the Museum of Contemporary Art in Vitry-sur-Seine, located in the southern suburbs. Established ten years ago, it specializes in French contemporary art, which many Taiwanese art enthusiasts are unfamiliar with. I suggested accompanying Mr. Huang and others to visit. The previous night, curator Wang Chun-chi, who resides in Berlin, messaged that she happened to be passing through Paris and agreed to join us.
On Tuesday afternoon, we met at the Olympiades Metro Station in the 13th arrondissement. Unexpectedly, two young artists, Cheng Jen-pei and Lin Cheng-wei, whom I had met during Wang Chun-chi’s exhibition "Bangka," also appeared. They are currently in residency in Paris. Mr. Huang brought several colleagues from Iri, along with Pei-chu from Hsin Yuan. Together, we formed a lively group of contemporary art visitors. We viewed two of Paris’s largest street murals and then took a bus to MAC Val in Vitry-sur-Seine. Everyone enthusiastically explored the museum, gaining deeper insight into French contemporary art.
After the visit, naturally, came coffee time. It is rare for gallery owners, curators, artists, and critics to gather together. Such encounters inevitably spark diverse and rich exchanges. Discussions ranged from global art trends from Taiwan to gallery management, curatorial approaches, and paths of artistic creation. I felt particularly inspired by Iri’s "Art Freedom Day." Their attention to young artists, dissemination of art news, and promotion of lectures and performance spaces are encouraging efforts to deepen Taiwan’s contemporary art scene.