Wall graffiti is presented through an instinctive and emotional lens, often in free-form imagery. Portraits are rare in this medium; they prioritize subjective expression over objective depiction, manifesting as expressive, allegorical, or referential forms. They convey not just the immediate context but also a strong sense of feeling and perception, constructing the consciousness of a new generation within reality and imagination. In these encounters with London wall graffiti, I selected six distinct images and perspectives to examine current portrait types and possibilities.