(Left) Avocats, installation 1997-2007. (Right) Poetic White Water Drops (constructed from white cotton), 1995. (Left) Animal Skeletons (constructed from cat food biscuits), 2000, and Potato Flour Field, 2002. (Right) Mushrooms Blooming from an Atomic Bomb Explosion (dyed glass noodle installation), 2006. (Left) Animal Skeletons (constructed from cat food biscuits), 2000, and Sprouting Plants. (Right) Imaginative Foam Fountain (gushing from a green waste bin), 2007. (Left) Carved Orange Peels by Natural Design, 2003-2007. (Right) Imaginative Moldy Red Ball (cotton and carrot dough), 1998. (Left) Novel Bear (covered with chocolate on cotton), 2004. (Right) Spectacular Wall Mural Installation (painted with potato flour and beetroot dough, cracking and peeling over time to form shapes), 2006.

The "Michel Blazy – Post Patman" solo exhibition runs from February 1 to May 6 at Palais de Tokyo Contemporary Art in Paris. It is one of the major exhibitions under the theme "News from the Upside-Down," following the grand theme exhibition "Five Billion Years." It is currently one of the most exciting exhibitions in Paris. Michel Blazy (born 1966) is among the most novel artists of France's new generation. His art explores the creation of special contemporary forms through the daily changing states of natural organisms and ecological changes produced over time, under the artist's extraordinary sensibility. It approaches Italian Arte Povera but is more pertinent to organic natural ecological art.

Michel Blazy favors organic materials, manipulating their ecological transformation into natural forms under spatial and temporal conditions. He becomes the creator of a world of fragile and randomly changing works: intentional and unintentional sprouting, drying, spoilage, molding, decay, damage, mutation, decline, transformation, metamorphosis, etc. Like alchemists transforming and developing the energy of living natural materials, this becomes the core and essence of his most original works. These installations form surprising and metaphysical object-sculptures—such as the eye-catching Mushrooms Blooming from an Atomic Bomb Explosion (dyed glass noodle installation), 2006; the inexplicable Large Spider (vegetable dough molded by mold), 2005; the Novel Bear (covered with chocolate on cotton), 2004; the Imaginative Moldy Red Ball (cotton and carrot dough), 1998; Chocolate Chicken and Mouse (cotton, iron wire, chocolate, and dessert cream), 2006; Animal Skeletons (constructed from cat food biscuits), 2000; Carved Orange Peels by Natural Design, 2003-2007; Potato Flour Field, 2002; Spectacular Wall Mural Installation (painted with potato flour and beetroot dough, cracking and peeling over time to form shapes), 2006; Poetic White Water Drops (constructed from white cotton), 1995; and Imaginative Foam Fountain (gushing from a green waste bin), 2007—all evoke the unexpected, bridging matter and form, imagination and poetry, time and space, process and transformation, sensibility and reason, ecology and image, disillusionment and rebirth.