繽紛燦爛數位化革命為人類帶來空前絕後的視野與各種影像可能性，讓人眼花繚亂如萬花筒般色彩、3D或全息投影之虛擬實境比現實還真實等等，宛若人間天堂之擬像，解放人們的想像及無限展望，11:11 專題展後，畫廊送給我最大的禮物就是兩年後巴黎個展計畫，在後新冠疫情的陰鬱中解放開來，坦然迎接生命挑戰與藝術之道邁進，煥然一新的創作進入迷惑人之凝視中展現美麗新世界。

The Non-Mental Image series, influenced and impacted by digital imagery, penetrates the signs and metaphors of digital images, compiling a new vocabulary of visual poetry. Through subjective forms and opulent colors, it pioneers two major series: still life and portraiture, full of allegorical and literary beauty. The still lifes are a metaphor for the diverse tentacles of the current digitized brave new world, while the portraits manifest contemporary perception and reference.

As the French philosopher Michel Foucault said in Utopian Body: "I find myself in a place that is virtually behind its surface. I am inside, I am inside it. It is a sort of virtual space that is almost behind the looking glass. I am there, there where I am the shadow, a sort of visible shadow that allows me to see myself where I am absent." — "Of Other Spaces," lecture, 1967 (published in Dits et Écrits: 1978)

November 2022