The "Tatiana Trouvé – Double Bind" solo exhibition ran from February 1 to March 11 at the Palais de Tokyo in Paris. It was one of the solo shows within the major thematic exhibition "News from the Upside-Down," following the previous theme "Five Billion Years."

"News from the Upside-Down" does not aim to overturn society or regimes, but rather presents a beautiful world for a new generation of artists, as the normal world is too mundane. The new is always out of place; the inverted is astonishing. By reversing people's inherent prejudices and turning the rotten into magic, what could be more bewitching than inversion in today's illusory world that feels more real than reality?

The introduction to the Palais de Tokyo's "Upside-Down" states: "Physicists draw a horizontal line over the capital M to denote antiparticles. Here, this note is freely quoted to illustrate a form of transformation. The Palais de Tokyo proposes drawing a horizontal line over the capital M to signify five solo exhibitions and two group exhibition projects through this concept of inversion. In the 'Five Billion Years' exhibition, after questioning flexible time and space, the works gathered in the 'M with a line' special exhibition appear like oscillators, bridges, and scales of reality between different polarities. A/B is everything, and not in C. Such A/B=C, yet within the symbol (/), it separates A/B. Duchamp said so. Art understands this feeling not as a result or product, but as the horizontal line on the capital M itself—a symbol of transformative prudence, among many operators of inversion."

Tatiana Trouvé’s "Double Bind" solo exhibition is the result of double bind theory, an anomaly that immerses people in a situation of spiritual and physical blockage regarding the theme. The entire exhibition constructs multiple transformed spaces through various objects—sculptural installations resembling non-architecture, geometric and non-geometric forms, without any visual dominant core. Blocked objects and situations exist between accidents and non-accidents. Actions are constrained by irregular spatial routes and high-and-low ceilings, forming an inner spiritual unease and psychological discomfort amidst ambiguous light changes. The "Double Bind" exhibition presents itself between the physical, psychological, and metaphysical.