The Concert Champêtre (1512), 105×136 cm, oil on canvas, Musée du Louvre, Paris. Titian is the representative painter who reached the peak of Renaissance Venetian painting after Bellini. His early master was Bellini, but Giorgione influenced him most. From 1508, Titian abandoned traditional chiaroscuro drawing and focused on soft, gorgeous colors. Rich, gorgeous, and varied colors became his main feature. Through his original modeling, ingenious composition, perfect form, and bright light, he created an original visual language, blending poetic imagery, sensuality, joy, secularism, and solemnity. Venus in Titian’s hands is flesh-and-blood and lifelike, unlike Florentine paintings that resemble classical statues, because he painted directly from living models. Titian’s noble portraits vividly display the inner emotions and thoughts of humanism. Venetian painting features sensual women, poetic music, and bright landscapes, especially in works by Giorgione and Titian, which are refreshing. This joyful pastoral symphony embodies this meaning. In this natural theater of blue sky and white clouds, two well-dressed men sit on the grass conversing; one wears a red hat and noble red robe, playing a lute, while another in simple clothes sits beside him. Opposite them sits a sensual nude woman playing a flute. On the left, a standing nude woman leans by the pond to draw water, full of motion and sensuality. She forms the core focus with figures on the grass, integrating with the bright landscape. From the shepherd on the right through green hills and waters to distant villages, people seem to hear rhythmic, joyful music or view this unparalleled, silent, sensory visual pastoral symphony. This is Titian’s most excellent sensual expression. Monet’s famous Luncheon on the Grass was clearly inspired by this Pastoral Symphony.